For more info about Shadow Play project, visit website http://lilyhonglei.com/shadowplay2
November 15, 2016
For more info about Shadow Play project, visit website http://lilyhonglei.com/shadowplay2
February 9, 2009
– based on “Land of Illusion” Art Space in Second Life
by Lily & Honglei
Promoting and developing highly interactive online exhibition for contemporary art, presenting varied types of artworks in “Land of Illusion” in Second Life, therefore challenging existing formats of art exhibitions.
Creating new art vocabulary in “Land of Illusion” in virtual world, which utilizes digital multimedia, online performances, virtual sculptures and traditional fine arts language.
Contributing to artist community building with communication technology in the Internet age, enhancing global artist collaborations, stressing on audience/artist or artwork interactions, meanwhile emphasizing education and cultural exchange functions.
1st month: Adjusting “Land of Illusion” in Second Life for future presentations of contemporary arts, set up Website, blog and launch “Contemporary Art Center” project.
2nd – 9th month:Hosting a series of contemporary art exhibitions，including inviting the most active artist groups in Second Life for virtual world performances and installation, sculpture and multimedia presentations.
Collaborate on publications and reviews with major global new media art organizations.
10th – 12th month：Hosting Cyberart & Education Festival, that aims to encourage younger generations to explore cyberspace as a creative and collaborative place, meanwhile highlighting educators’ innovative project using virtual world applications for teaching art & design. Collaborating with new media art institutions on publications.
CMOCA – Cyber Museum of Contemporary Arts
主体创意：虚拟现实空间或赛博空间是一个蓬勃发展的艺术创作空间，也是全球艺术家交流合作的新社区，更是多代人探讨、观察与摸索当代艺术语言的前沿。三年前， 北京艺术家Lily & Honglei 开始发展“太虚幻境”第二人生虚拟环境，自然地综合了多种艺术语汇，例如影像、动画、互动音响等数码多媒体，绘画、工艺等传统手法，也有网络表演等新的艺 术形式。利用发达的数码与网络技术提供的快捷的视觉传送与通讯手段, “Land of Illusion” 实现着当代艺术家建立“意念国度”的梦想 – 反思历史、文化遗产与传统的价值，尤其是在全球化以及变换的当代社会环境中，群体或自我获得了什么，失落了什么，而真正的答案又在哪里……
宗旨： “太虚幻境”倡导在数码时代与网络环境中发展新的当代艺术语言， 包括利用先进的数字成像技术来诠释历史文化价值的延续与流失。 这将是一种新鲜的，日常生活中的，童年游戏般活泼的表达方式， 是对多种文化并存的肯定性宣言。 提示中国当代艺术家对变幻中的二十一世纪人文环境的审识，发展中国当代艺术对信息时代作出文化贡献的巨大潜力。利用高度互动、互联的网络技术发展新的观众与作者的关系，艺术家的合作关系，从而在激发创作力的同时达到丰富个体文化经历。
网上艺术社区：联合主要新媒体艺术组织，如Turbulence.org, Intelligent Agent Magazine, Boston Cyberarts Festival等， 联展、发表评论、期刊以扩大网上当代艺展览的影响力。
第一月：调整“太虚幻境”虚拟空间，相关网页、博客等，起动“Land of Illusion” Contemporary Art “太虚幻境”当代艺术 （名称待定）
第二、三月：举办“太虚幻境”邀请展 – “TransForm”，包括最活跃的“第二人生”艺术组合如 Second Front, Upbar Media Culture, 与Turbulence.org, Intelligent Agent New Media Magazine，Boston Cyberarts 等媒体合作, 出版专题评论。
第四至六月：举办Cyber Contemporary Art 赛博当代艺术展，扩大网络展览与新媒体艺术的影响力。 展品可涵盖DSL Collection部分收藏， 同时在主要媒体艺术网络上征集作品。 展品与展出实况将被发表、记载在网站、博客上，并有专刊评论。
第七至九月：举办“iContemporary Art”， 鼓励各种形式的当代艺术与论文投稿, 目的在于评价与审视当代艺术与网络文化的深刻联系。出版网络专刊最为展览记录与评论。
第十至十二月：Cyberart & Education Festival 鼓励学生与教育家参与。
February 5, 2009
work in progress –
whose fruits and who can enjoy?
Heavenly Peach Banquet 
Monkey travels to heaven to demand recognition of his new found power. There he finds seven fairies preparing a banquet for the birthday of the Queen Mother of Heaven. Incensed that he has not been invited, he begins to eat the Queen Mother’s magical heavenly peaches, and fights off each of her divine guests who try to prevent this. The Queen Mother then calls upon Buddha to deal with Monkey.
Monkey King’s （Sun Wukong 孙悟空）profile 
also called – Great Sage Equal of Heaven (Qi Tian Da Sheng 齐天大圣)
When he returned to Flower Fruit Mountain after leaving his post as Bi Ma Wen, two single-horned demon kings came to him and suggested that he take the title of Great Sage Equal of Heaven. Wu Kong was very receptive of this idea and called himself by that title from then on. Afterwards, when he defeated all the Heavenly generals sent to capture him, the Jade Emperor (ruler of Heaven) gave him the post of Great Sage Equal of Heaven to placate. It was, of course, an empty post with no work for Wu Kong to do.
About “As-one-wishes” Rod 如意金箍棒 
如意金箍棒 is pronounced as Ruyi Jingu Bang, literally meaning “As-you-will Golden-bound Cudgel”, is the poetic name of a magical weapon wielded by the Monkey King in the classic Chinese novel Journey to the West.
It is an iron rod whose size changes “as-one-wishes”, once used by Da Yu to measure the depth of the flood waters destroying ancient China, which Wukong obtains from the undersea palace of Ao Guang, the Dragon King of the East Sea. It is immensely heavy; in modern measurements, it is slightly weightier than 7.5 metric tons. When it is not in use, Wukong shrinks it to the size of a sewing needle and keeps it behind his ear. It is often depicted as red and having gold bands near the ends. In other depictions, it is shown as a silver staff with golden ends, or as a solid gold or copper staff. In some forms of the legend Journey to the West, Ao Guang is shown to have believed that the cudgel was hardly worth anything, until Wukong commanded it to both shrink and grow, showing its extreme worth to his dismay, because he did not particularly like Wukong.
a new project about “utopias’ realities”
Rebellion against Heaven is one of the most popular animated films when I was a kid. It was adopted from Journey to the West as a propaganda program convincing people that “rebelling is reasonable.” It’s a beautiful film with visual style mimicking colorful Chinese woodcut print, and the exciting narrative based on the Chinese classical. All children love Monkey King, and admire his power with “72 transformations” that defeated generals and army from heaven, especially the unbeatable “as-one-wishes” rod, which perhaps symbolizes his “revolutionary spirit.” I guess all of these have moved me deeply, that I decide to make a new machinima covering “climbing cloud ladder to reach heaven” and “rebellion at heavenly Peach banquet.” Former was completed on Jan. 31.2009. As for the latter, I built a “water cube” (the swimming stadium in 2008 Beijing Olympic Game) suspending right over the “cloud ladder” with a banquet inside; then myself has been transformed to Monkey King, the owner of “as-one-wishes” rod, which starts the stories.
Last week I was in half way building “drifting inspirations”(adopt Qu-Shui-Liu-Shang drink game in ancient China) disseminating recluse culture of China. Peach Blossom Shangri-la was the title by then. I thought it’s important to use “Shangri-la” because the work is interpreting independence and solitude. Things went smoothly with filming on Winter Blossom Dance and Monument ’08 – climbing and falling.
Then I started worrying a little that the theme appears too aloft to be understood by audience. At this point, Honglei came to talk about his research on folk opera about Monkey King, and how this could be a perfect theme discussing religion and values lost during globalization and economic development of China. What a backward since ’89! Does the openness only mean being slaves for the global market, or showing off their vanity? and their belief and confidence resulted by the economic success have led them to extend ambitions in some dangerous directions… Yet we don’t want to see riot, “I just hope the country is alright, not too good neither too bad, so others will leave it alone.” Honglei said. I agree. And I signed 08 Charter. It’s alright. The shoe missed the goal again. It’s not a bad thing to know that many “(con)temporary Chinese artists” are thinking of new occupations under the stress of financial crisis.
Yes, things are changing. One of my blogs needs to be closed, because I don’t care a “public service;” then it’ll be merged into my personal blog, for making voices in a more real and enjoyable way. Same to my teaching – I declined an offer in Boston, simply consider it’s worth nothing to my creative self. We’re moving to NYC, where I will be a recluse again. People come to suggest, hey Lily let’s collaborate on something about new media, it’ll be exciting… no, it’s in fact boring. We all get a point that technology has become so sophisticated that any artist can use computer to produce work, and not bothered by much coding. When technology is advancing, it becomes more unnoticeable, naturally taking part of artistic creativity. “Science and art” likely begin breaking apart again, relatively I mean. They’ll walk on their own track as usual. I don’t believe most scientists can be artists as well, vise versa. And I promise you academia will pull you back as an artist – you think anyone can teach you to be creative? Coding won’t help. It’s simply not the way resulting great art. It was an exciting concept or motivation barely fruiting, mainly because science is dominant in this trend which results conservative work in terms of getting in touch with our innermost feelings. Ha! Clearly I’m out of the cage already, saying something that I believe – learn from the real life rather in lab or studio! And if you are a real artist, nothing can stop you. If you are driven by profit, it’s a bad time. Don’t show me your project only with empty big names and work with big budget, that proves you can’t see anything through your own eyes. Have you seen Rikoko’s dairy? The Japanese girl’s journey in Second Life is admirable for its freedom, beauty, independence and loneliness! You may argue it’s something else than contemporary art. Who cares.
Dream Umbrella and “As-one-wishes”
Taking Honglei’s suggestion about Monkey King distroying “heavenly peach banquet” instead of yinshi (recluse) in Peach Blossom Shangri-la this time, I set the background at Water Cube of Olympics 2008, and truly feel the rebelling Monkey is waking in my soul.
It’s in fact the point we are going to organize a SL presentation for Boston Cyberarts. UMass design gallery provides professional setting up for new media work. I’ll need to test the Internet speed for live SL performance. If impossible, still we can show machinimas based on a few sites with intriguing inputs. I’m adding a map directing visitors to these stops: Land of Illusion (lily & honglei), Arena (upbar), a place for “dream umbrella”(patrick). Those sites/artists alway have some new work to show. Their latest experiments are exciting.
After a conversation with Patrick, I paid a visit in RMB city People’s Worksite, as I first saw “dream umbrella” there. Luckily Patrick was online and responded my request with a cutely designed lady’s umbrella. I like the whole idea that once you type in “/7show”, the list of available items appear, then type /7xxxx, one expects image or object to be emitted, while the umbrella tells the dream related to the item….
I adopt the script from “Dream Umbrella” (Patrick Lichty or Man Michinaga) to make my “as-one-wishes” rod. It’s fine as long as you’re not selling them. The script image/object emission is actually not new in SL and can be seen in many locations.
February 1, 2009
It was a busy night.
First we three, Ry (PumpkinWeirdo Keng), Kristy (Victoria Bury) and me (Lily Jun) performed “Winter Blossom” dance, 3Star Tyne designed the flower-like dress, Jimmy composed music. Ry probable designed 20 gestures/animations for dancing, I’m still not sure I followed his instruction, let’s wait to see the outcome in videos.
On Monument ’08 – Cloud Ladder
Then I shouted to the group, “let’s start climbing the cloud ladder on the Great Fire Wall!” Indeed, I captured a bunch of footage showing how people were struggling between heaven and ground! Obviously it’s a frustrating and somehow scary experience – when attempting to reach the sky…
After Falling , in Crystal Palace
January 31, 2009
Report on Boston Cyberart Festival 2009 News Release
Tenth anniversary Festival features
increased focus on art in cyberspace
Boston, MA – Exhibitions and performances by artists who use computer technology as an integral part of their work are once again on display at the sixth Boston Cyberarts Festival, taking place April 24-May 10, 2009. The Festival, a collaboration of visual and performing artists, cultural organizations, educators, and high-technology professionals, takes place at museums, galleries, theatres, schools, and public spaces in and around the Boston area, and online at http://www.bostoncyberarts.org.
The first Boston Cyberarts Festival took place ten years ago, in 1999, and since that time the biennial event has become an eagerly-anticipated part of the Boston-area arts and technology scene. George Fifield, Director of Boston Cyberarts, noted: “The Boston area has been a center of art and technology for decades, since the pioneering work done by institutions like WGBH, Polaroid, and the MIT Media Lab. We’re proud that for the past decade we have been able to shine a spotlight on both the rich history of art and technology, and on the visions for the future.”
One of the key features of this year’s Festival is an increased emphasis on art in cyberspace. Among the events and exhibitions that can be enjoyed on the web are:
* Loops: A Dance & Technology Project: Artists will be repurposing and reinterpreting Merce Cunningham’s “Loops,” using open-source software created from the motion-capture of the Cunningham work. The results will be available to view online, in exhibition at the MIT Museum, and in a live performance.
* HyperArtSpace Gallery: Boston Cyberarts’ own online gallery will be the site of a series of curated exhibitions of web-based artwork.
* Second Life: Boston Cyberarts is planning an array of projects in the virtual environment of Second Life. At least one of these exhibitions, organized by Lily & Honglei, will also be on view in the gallery at U. Mass Dartmouth.
A rich array of events and exhibitions in many art forms are also on tap for the 2009 Festival.
January 24, 2009
“Land of Illusion” is presenting SL project at Duo Multicultural Arts Center for new media art exhibition. We need 8 to 12 avatars participating our new film project in Second Life, “Peach Blossom Shangri-la.” All participants will be credited for the event.
1st Filming Date: Jan. 31, 6:30 – 7:00PM SLT, or after Winter Blossom Dance by Story House Nightingale Group
2nd Filming Date: to be announced
Dress-code: formal or semi-formal, in either modern western style or traditional Chinese style
Filming Location: “Land of Illusion” in Second Life
Contact: Lily Jun in Second Life, or email@example.com
Director: Lily & Honglei
Gallery Opening: March 16, 2009
Gallery Location: gallery Emergence@DMAC, 62 East 4th Street in the heart of the East Village.
Welcom to join us!
Lily & Honglei
December 28, 2008
“Land of Illusion – folklore in digital media”
Curated by Turbulence.org
Location: Studio for Interrelated Media, Massachusetts College of Art and Design, 621 Huntington Avenue, Boston
Schedule: May 19th, 2009
Event: artists talk by Lily & Honglei
note: Upgrade! Boston is a monthly gathering of artists, curators and the public that fosters dialogue and creates opportunities for collaboration within the new media community. Hosted by the Studio for Interrelated Media at Massachusetts College of Art and Design, each meeting consists of one or two hour-long presentations interspersed with questions and comments from the audience. Theme-based panel discussions are organized once or twice a year. The events are informal, free, and open to all. Founded by Turbulence.org in January 2005, Upgrade! Boston continues to grow as a local node within the global Upgrade! International (UI) network.